22 Lengths
Neutral, steady, measured drama, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Tilda's days are strictly structured: she studies, works at the supermarket checkout and looks after her little sister Ida - on some days she also has to look after her alcoholic mother. But this summer brings a change: Tilda receives a promising job offer for a doctorate in Berlin. Viktor also turns up, who, like her, always swims 22 laps in the swimming pool. When Tilda begins to believe that everything could be better, the situation at home spirals out of control.
Our read · 22 Lengths (2025) reads as a neutral, steady, grounded drama entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of 22 Lengths
What watching it is actually like.
“You want a tender German drama of a swimmer escaping family burdens.”
Skip it tonight — Alcoholism, suicide attempt, and heavy family responsibility weigh too much.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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