All My Friends Hate Me (2022) poster
2022 · comedy · thriller · horror

All My Friends Hate Me

Directed by Andrew Gaynord1h 33m2022
ElsewhereIMDb6.37kRT89%Metacritic71
  • sombre
  • bleak
  • cold
  • intimate
Movie DNA

Sombre, steady, measured comedy / thriller, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

A college reunion goes awry when Pete suspects his friends may be out to get him... As their weekend getaway grows more and more uncomfortable, should Pete be worried about his safety, or is it all in his head?

Our read · All My Friends Hate Me (2022) reads as a sombre, steady, inventive comedy · thriller · horror entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Where the cast leads
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The shape of All My Friends Hate Me

Tonight, this looks like

What watching it is actually like.

You love excruciating cringe comedy that might actually be paranoid nightmare fuel.

ends ambiguousit leaves you shakena slow buildgrips by minute 22attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upsuicide themeanimal harmdrug usecringe humiliation

Skip it tonightSocial embarrassment makes you squirm or you want straightforward scares only.

If All My Friends Hate Me is your film
DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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