All These Women
- warm
- brisk
Warm, breathless, gentle comedy, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the cellist's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.
Our read · All These Women (1964) reads as a warm, breathless, inventive comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of All These Women
What watching it is actually like.
“You want a colorful Bergman comedy about a critic learning from a cellist's many women.”
Skip it tonight — Skip if you dislike talky art-world satires or heavy subtitles.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself