Borgman
- heavy
- intense
- surreal
- bleak
- cold
Heavy, steady, measured thriller / surreal, surreal in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →An enigmatic vagrant cons himself into the home life of an arrogant upper-class family, turning their lives into a psychological nightmare in the process.
Our read · Borgman (2013) reads as a heavy, steady, surreal thriller · surreal · cannes entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the US · via JustWatch
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The shape of Borgman
What watching it is actually like.
“You want surreal Dutch dread as a stranger colonizes a polished family.”
Skip it tonight — You are sensitive to harmed pets or children in psychological peril.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself