Breaktime
- sombre
- intimate
Sombre, steady, gentle short / kanun, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A boy on his way home from school kicks a ball out of a street where some children are playing. He's chased and forced to take a new way home.
Our read · Breaktime (1972) reads as a sombre, steady, grounded short · kanun · childhood entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Breaktime
What watching it is actually like.
“You want a simple observant Iranian short about a boy's small misadventure home.”
Skip it tonight — You want feature-length stories or heavy dialogue-driven films.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself