Cherry Tree Lane
- heavy
- brisk
- intense
- bleak
- cold
- intimate
Heavy, kinetic, extreme crime / thriller, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Prosperous professional couple Mike and Christine are settling in for a standard evening of wine, TV and low-level marital hostility when a ring on their doorbell changes everything. Turns out their son Sebastian is in a little trouble with some local boys, who are quite prepared to camp out and wait for him to get home ... the resulting culture-clash chamber drama is raw, revealing and nerve-splittingly tense.
Our read · Cherry Tree Lane (2010) reads as a heavy, kinetic, grounded crime · thriller · horror entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Cherry Tree Lane
What watching it is actually like.
“You want raw, contained British home invasion that gets ugly fast and stays there.”
Skip it tonight — Skip if offscreen rape, beatings, and a son's peril will wreck your mood.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself