Cold Fish
- heavy
- brisk
- extreme
- inventive
- bleak
- cold
Heavy, kinetic, extreme horror / crime, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →When fish shop owner Shamoto's teenage daughter Mitsuko is caught stealing, a generous middle-aged man named Murata helps resolve the situation. The man and his wife offer to have Mitsuko work at their opposing fish store. Shamoto soon discovers that something far more sinister lives behind Murata's friendly demeanor.
Our read · Cold Fish (2010) reads as a heavy, kinetic, inventive horror · crime · drama entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Cold Fish
What watching it is actually like.
“You want Sion Sono's most punishing domestic nightmare—only if you're ready.”
Skip it tonight — Skip tonight; extreme gore, sexual violence, and cruelty will destroy you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself