Daisies
- warm
- brisk
- surreal
- signature
- intimate
- funny
Warm, kinetic, gentle comedy, surreal in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Two teenage girls embark on a series of destructive pranks in which they consume and destroy the world around them.
Our read · Daisies (1966) reads as a warm, kinetic, surreal comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Daisies
What watching it is actually like.
“You want anarchic Czech New Wave collage that gleefully destroys polite society.”
Skip it tonight — You need plot logic, hate subtitles, or want sober mainstream comedy.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself