Day of Anger
- sombre
- brisk
- intense
Sombre, kinetic, measured western / spaghetti, grounded in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A scruffy garbage boy becomes the pupil of famed gunfighter Talby, and the stage for confrontation is set when the gunman overruns the boy's town through violence and corruption.
Our read · Day of Anger (1967) reads as a sombre, kinetic, grounded western · spaghetti entry — measured in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of Day of Anger
What watching it is actually like.
“You want a lean spaghetti western about mentorship, corruption, and gunfighter code.”
Skip it tonight — Skip if stylized 60s western violence or moral grayness feels too cold.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself