Eating Raoul (1982) poster
1982 · black-comedy · cult · satire

Eating Raoul

Directed by Paul Bartel1h 27m1982
ElsewhereIMDb6.89kRT85%Metacritic69TMDB6.5149
  • brisk
  • funny
Movie DNA

Warm, kinetic, measured black-comedy / cult, inventive in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

A prudish married couple feel put upon by the swingers living in their apartment building. One night, by accident, they discover a way to both rid themselves of the “perverts” down the hall and simultaneously realize their dream of opening a restaurant.

Our read · Eating Raoul (1982) reads as a warm, kinetic, inventive black-comedy · cult · satire entry — measured in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Where the cast leads
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Availability in the UK · via JustWatch

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The shape of Eating Raoul

Tonight, this looks like

What watching it is actually like.

You want pitch-black comedy where murder and cannibalism stay cheerfully absurd.

ends bittersweetit stays with yougrabs you earlygrips by minute 3attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upnuditygraphic violencecringe humiliation

Skip it tonightSkip if nudity, murder played for laughs, or swinger satire offends you.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

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Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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