Fat, Sick & Nearly Dead
- warm
- gentle
- redemptive
- intimate
Warm, steady, gentle documentary, grounded in texture. Redemptive, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →100 pounds overweight, loaded up on steroids and suffering from a debilitating autoimmune disease, Joe Cross is at the end of his rope and the end of his hope. In the mirror he saw a 310lb man whose gut was bigger than a beach ball and a path laid out before him that wouldn't end well— with one foot already in the grave, the other wasn't far behind. FAT, SICK & NEARLY DEAD is an inspiring film that chronicles Joe's personal mission to regain his health.
Our read · Fat, Sick & Nearly Dead (2010) reads as a warm, steady, grounded documentary entry — gentle in intensity, intimate in scope, measured in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Fat, Sick & Nearly Dead
What watching it is actually like.
“You want an earnest wellness documentary about juice fasting and second chances.”
Skip it tonight — Skip if preachy diet documentaries or salesman charm feel uninspiring tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself