Gone
- heavy
- brisk
- extreme
- cold
- twisty
Heavy, kinetic, extreme thriller / mystery, inventive in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Jill Conway is trying to rebuild her life after escaping a terrifying kidnapping. Though she is having a difficult time, she takes small steps toward normalcy by starting a new job and inviting her sister, Molly, to move in with her. Returning home from work one morning, Jill discovers that Molly has vanished, and she is certain that the same man who previously abducted her has returned for revenge.
Our read · Gone (2012) reads as a heavy, kinetic, inventive thriller · mystery · revenge entry — extreme in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Gone
What watching it is actually like.
“You want a tight Portland kidnapping thriller with a fierce unreliable heroine.”
Skip it tonight — Abduction tension or assault themes will leave you too anxious tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself