Gone to Earth
- sombre
- intense
Sombre, steady, measured drama / romance, inventive in texture. Nihilistic, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Hazel Woods, a beautiful and young Welsh girl, lives a wild, rustic life and loves animals — in particular, her pet fox. She is hotly desired by Jack Reddin, a fox hunting squire who vies for her affection and pursues her, despite the purer amorous intentions of the local pastor.
Our read · Gone to Earth (1950) reads as a sombre, steady, inventive drama · romance · rural entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Gone to Earth
What watching it is actually like.
“You want a lush, tragic Powell and Pressburger pastoral about wild nature and doomed desire.”
Skip it tonight — Skip if hunting scenes or the death of a beloved animal will haunt you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself