Guilty
- heavy
- measured
- cold
Heavy, measured, measured drama / crime, grounded in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Investigates the corrupt judicial system under which Alain Mar'caux and his wife Edith were arrested on accusations of pedophilia horrific acts they never committed- and the years he spent fighting to get out of prison, clear his name and keep his family.
Our read · Guilty (2011) reads as a heavy, measured, grounded drama · crime entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Guilty
What watching it is actually like.
“You want an intense true-story drama about fighting false pedophilia accusations.”
Skip it tonight — Skip if wrongful imprisonment or child abuse themes will haunt you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself