Happiness
- warm
- brisk
- surreal
- funny
Warm, kinetic, measured comedy / satire, surreal in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness.
Our read · Happiness (1935) reads as a warm, kinetic, surreal comedy · satire · silent entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Happiness
What watching it is actually like.
“You want a rowdy Soviet silent satire about a hapless man's misadventures toward collectivized happiness.”
Skip it tonight — You want spoken dialogue, color, or fast modern comedy.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself