House
- heavy
- brisk
- intense
- intimate
Heavy, kinetic, measured horror / supernatural, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Trying to recover from the nearly marriage-breaking stress following the death of their child, Jack and Stephanie spontaneously take off on a road trip. But when their car breaks down in a remote area, they find themselves in a horrific nightmare. Seeking shelter in a house, they soon realize that more danger lurks inside than outside in this spine-chiller based on Ted Dekker and Frank Peretti's best-seller.
Our read · House (2008) reads as a heavy, kinetic, inventive horror · supernatural entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of House
What watching it is actually like.
“You want Christian allegory horror about guilt and marriage repair.”
Skip it tonight — You hate faith-based horror or need scares that actually land.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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