I've Heard the Mermaids Singing (1987) poster
1987 · comedy · drama · arthouse

I've Heard the Mermaids Singing

Directed by Patricia Rozema1h 21m1987
ElsewhereIMDb6.72kRT94%TMDB5.838
  • warm
  • intimate
Movie DNA

Warm, steady, gentle comedy / drama, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.

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Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

Our read · I've Heard the Mermaids Singing (1987) reads as a warm, steady, inventive comedy · drama · arthouse entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Where the cast leads
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The shape of I've Heard the Mermaids Singing

Tonight, this looks like

What watching it is actually like.

You want a quirky Canadian dramedy about an aspiring artist and gallery secrets.

ends warmyou’ll be fine aftersteady all the waygrips by minute 8attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around

Skip it tonightYou want high stakes or conventional Hollywood stories.

If I've Heard the Mermaids Singing is your film
DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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