Jim Jefferies: Alcoholocaust
- kinetic
- cold
- intimate
- funny
Neutral, breathless, measured comedy, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Share this *Alcoholocaust: (Meaning: The aftermath of a drinking party, usually resulting in every available horizontal surface being covered in empty booze containers, spilled beverages and a general sticky alcoholic residue.) Jim Jefferies, the globally renowned Australian stand-up, returns to Just For Laughs with his brand new solo show. Alcoholocaust includes some of Jim’s favourite wild antics over the past year. As always, his material is set in reality, which is what provides him with his trademark brutally frank style. Among other things, you will hear about a hilarious yet touching true story involving his friend’s severely disabled brother, plus Jim’s traditional pet peeves – religion & idiots.
Our read · Jim Jefferies: Alcoholocaust (2010) reads as a neutral, breathless, grounded comedy entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Jim Jefferies
What watching it is actually like.
“You want raunchy Australian stand-up full of drinking and wild sex stories.”
Skip it tonight — You are sensitive to explicit jokes about sex, alcohol, and vice.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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