Le Crocodile du Botswanga
- warm
- kinetic
- gentle
- funny
Warm, breathless, gentle comedy / political, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Leslie Konda young talented French footballer spotted in his teens by Didier , a small-scale agent who was able to take under his wing , has signed its first contract striker in a large Spanish club . At the same time, his growing reputation and its origins Botswanga , small, poor state of Central Africa, earned him an invitation by the President of the Republic in person Babimbi Bobo , a football enthusiast, freshly installed in power after a coup military state. Leslie therefore went for the first time in the country of his ancestors accompanied by Didier to be decorated by the President Bobo which quickly turns out, despite his great humanist discourse be a megalomaniac and paranoid dictator under the bad influence of his wife .dropoff window Hardly have they landed Bobo enters into a sordid deal with Didier put pressure on his player so that it plays for the national team : Crocodiles of Botswanga ...
Our read · Le Crocodile du Botswanga (2014) reads as a warm, breathless, inventive comedy · political · sports entry — gentle in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Le Crocodile du Botswanga
What watching it is actually like.
“You want broad French farce about soccer, dictators and absurd political schemes.”
Skip it tonight — You want subtle satire or dislike broad stereotypes and uneven comedy.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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