Maggie
- heavy
- extreme
- surreal
Heavy, steady, extreme horror / drama, surreal in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →There's a deadly zombie epidemic threatening humanity, but Wade, a small-town farmer and family man, refuses to accept defeat even when his daughter Maggie becomes infected. As Maggie's condition worsens and the authorities seek to eradicate those with the virus, Wade is pushed to the limits in an effort to protect her. Joely Richardson co-stars in this post-apocalyptic thriller.
Our read · Maggie (2015) reads as a heavy, steady, surreal horror · drama · sci-fi entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Maggie
What watching it is actually like.
“You want intimate zombie grief with Schwarzenegger playing a devastated father.”
Skip it tonight — Slow infection horror that ends in heartbreak is too much tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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