Manon des Sources
- sombre
- intense
Sombre, steady, measured drama, grounded in texture. Nihilistic, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.
Our read · Manon des Sources (1986) reads as a sombre, steady, grounded drama entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of Manon des Sources
What watching it is actually like.
“You want sun-baked Provence revenge where water, land, and guilt finally collide.”
Skip it tonight — You have not seen Jean de Florette and want payoff without two-hour homework.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself