Murder Obsession
- heavy
- intense
- bleak
- cold
Heavy, steady, measured giallo / gothic, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Michael is a successful actor, but he has a scandal in his past: at a tender age he knifed his father to death. He and his girlfriend Deborah go to his mother's for the weekend, and are joined by the director and others from a recent film project, who are given a rather cool reception by the superstitious housekeeper Oliver. Soon rude things begin happening to some of the guests, and Michael fears a repeat of his nightmare past is in progress.
Our read · Murder Obsession (1981) reads as a heavy, steady, inventive giallo · gothic · slasher entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Murder Obsession
What watching it is actually like.
“You want gothic Italian giallo with nudity, dreams and old-school murder mystery.”
Skip it tonight — Skip if sleazy 80s Euro horror with slow pacing and nudity will put you off.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself