Orderly or Disorderly
- gentle
- intimate
Neutral, steady, gentle short / kanun, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A sense of order is the necessary basis of any good social organisation. To illustrate this axiom, Kiarostami presents a series of paired scenes in this educational short film in which the same action is first shown in an organised way and then in an anarchic one. The film crew, however, finds it difficult to organise disorder.
Our read · Orderly or Disorderly (1981) reads as a neutral, steady, grounded short · kanun · documentary entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Orderly or Disorderly
What watching it is actually like.
“You want a clever short playfully contrasting order, chaos and the difficulty of filming it.”
Skip it tonight — Skip if short experimental or meta films about filmmaking don't interest you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself