Parker
- sombre
- kinetic
- extreme
Sombre, breathless, extreme action / crime, grounded in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Our read · Parker (2013) reads as a sombre, breathless, grounded action · crime · heist entry — extreme in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Parker
What watching it is actually like.
“You want Statham being Statham in a lean professional-thief revenge caper.”
Skip it tonight — Skip if you want fresh heist twists or dislike by-the-numbers action mechanics.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself