San Francisco
- brisk
- intense
Neutral, kinetic, measured mgm / macdonald, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.
Our read · San Francisco (1936) reads as a neutral, kinetic, grounded mgm · macdonald · gable entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of San Francisco
What watching it is actually like.
“You want a classic Hollywood romance and musical that erupts into disaster spectacle.”
Skip it tonight — Skip if pre-Code era acting or sudden catastrophe sequences jar you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself