Sleight (2017) poster
2017 · drama · thriller · action · sci-fi

Sleight

Directed by J.D. Dillard1h 29m2017
ElsewhereIMDb5.99kRT83%Metacritic62
  • sombre
  • brisk
  • intense
Movie DNA

Sombre, kinetic, measured drama / thriller, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

A young street magician is left to take care of his little sister after his mother's passing and turns to drug dealing in the Los Angeles party scene to keep a roof over their heads. When he gets into trouble with his supplier, his sister is kidnapped and he is forced to rely on both his sleight of hand and brilliant mind to save her.

Our read · Sleight (2017) reads as a sombre, kinetic, grounded drama · thriller · action entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Sleight

Tonight, this looks like

What watching it is actually like.

You want a street-magician crime fable with electromagnet tricks and sibling stakes.

ends upliftingyou’ll be fine aftersteady all the waygrips by minute 14attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-updrug usegraphic violencechild peril

Skip it tonightSkip if drug-dealer violence and a kidnapped little sister will spike your anxiety.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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