Smithereens
- sombre
- brisk
- bleak
- intimate
Sombre, kinetic, measured punk / independent, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A narcissistic runaway engages in a number of parasitic relationships amongst members of New York's waning punk scene.
Our read · Smithereens (1982) reads as a sombre, kinetic, grounded punk · independent · no-wave entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
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The shape of Smithereens
What watching it is actually like.
“You want a raw, unsentimental slice of fading early-80s NYC punk ambition.”
Skip it tonight — You want polished characters or stories that reward rooting for the protagonist.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself