Speed
- kinetic
- intense
Neutral, breathless, measured action / thriller, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Tensions run high when a crazed bomber rigs a Los Angeles bus with a device that will kill everyone on board if the vehicle's speed dips below fifty miles per hour.
Our read · Speed (1994) reads as a neutral, breathless, grounded action · thriller entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in Latvia · via JustWatch
More info & search links
The shape of Speed
What watching it is actually like.
“You want pure nineties adrenaline with a bus that never slows.”
Skip it tonight — You find loud action physics and banter exhausting.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself