Speed Kills
- sombre
- brisk
- cold
Sombre, kinetic, measured crime / drama, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Speedboat racing champion and multimillionaire Ben Aronoff leads a double life that lands him in trouble with the law and drug lords.
Our read · Speed Kills (2018) reads as a sombre, kinetic, grounded crime · drama · thriller entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Speed Kills
What watching it is actually like.
“You want a pulpy true-crime story about a speedboat kingpin and his double life.”
Skip it tonight — Skip if you want quality filmmaking or anything memorable before bed.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself