Ted
- warm
- brisk
- gentle
- surreal
- redemptive
- tender
Warm, kinetic, gentle comedy / fantasy, surreal in texture. Redemptive, mid-stakes, tender, hand-scored across twelve axes of taste.
How every film is hand-scored →John Bennett, a man whose childhood wish of bringing his teddy bear to life came true, now must decide between keeping the relationship with the bear or his girlfriend, Lori.
Our read · Ted (2012) reads as a warm, kinetic, surreal comedy · fantasy · parody entry — gentle in intensity, mid-stakes in scope, tender in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Ted
What watching it is actually like.
“You want filthy-mouthed teddy bear comedy with crude laughs.”
Skip it tonight — You hate nonstop profanity, sex jokes and drug use.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself