The Beast (2024) poster
2024 · sci-fi · drama · romance · disaster

The Beast

Directed by Bertrand Bonello2h 26m2024
ElsewhereIMDb6.512kRT86%Metacritic80
  • heavy
  • measured
  • surreal
  • bleak
  • cold
  • twisty
Movie DNA

Heavy, measured, measured sci-fi / drama, surreal in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.

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In the near future where emotions have become a threat, Gabrielle finally decides to purify her DNA in a machine that will immerse her in her past lives and rid her of any strong feelings. She then meets Louis and feels a powerful connection, as if she had known him forever.

Our read · The Beast (2024) reads as a heavy, measured, surreal sci-fi · drama · romance entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Beast

Tonight, this looks like

What watching it is actually like.

You want hypnotic sci-fi romance spanning eras, dense with longing, AI, and dread.

ends devastatingit will wreck youmeditativegrips by minute 30attention 5/5feels its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upnuditygraphic violencesexual violence

Skip it tonightSkip if slow surreal genre puzzles and unsettling intimacy will frustrate you tonight.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

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Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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