The Immigrant
- heavy
- measured
- cold
- intimate
Heavy, measured, measured drama / romance, grounded in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →1921 New York. An immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
Our read · The Immigrant (2013) reads as a heavy, measured, grounded drama · romance entry — measured in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Immigrant
What watching it is actually like.
“You want sepia 1920s New York grit and Cotillard fighting for her sister.”
Skip it tonight — Coerced burlesque and brutal compromise will sour a light evening with anyone.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself