The Marquis
- warm
- brisk
- gentle
Warm, breathless, gentle comedy / heist, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Thomas Gardesse, a traveling alarm systems salesman, is arrested for a minor offense and sentenced to six months imprisonment. To win the respect of his fellow inmates, he claims he is "The Marquis," a brilliant robber whose identity has remained a mystery. Two weeks before his release, an armed robber named Quentin Tasseau helps him escape and takes him to Manila so he can take part in a robbery whose mastermind requires the talents of the Marquis.
Our read · The Marquis (2011) reads as a warm, breathless, grounded comedy · heist entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Marquis
What watching it is actually like.
“You want a goofy French comedy about a small-time crook bluffing his way as a legendary thief.”
Skip it tonight — Skip if broad farce or prison break capers with little depth sound exhausting.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself