
The Nobodies
- cosy
- kinetic
- gentle
- surreal
- intimate
- funny
Cosy, breathless, gentle comedy, surreal in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →One morning, Lily and Ben wake up side by side in bodies that are not theirs. And Magalie, a little girl in the body of a tall, bearded, awaits them in the guest room. This is the beginning of an incredible adventure, sometimes initiatory, where the bodies and identities will be reversed at the option of a simple hug.
Our read · The Nobodies (2015) reads as a cosy, breathless, surreal comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Nobodies
What watching it is actually like.
“You want a surreal French body-swap comedy where hugs flip identities.”
Skip it tonight — Skip if multiple body swaps or French indie concepts leave you lost.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”








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