The Quiet (2005) poster
2005 · drama · thriller · coming-of-age · sports

The Quiet

Directed by Jamie Babbit1h 36m2005
ElsewhereIMDb6.118kRT22%Metacritic29
  • heavy
  • intense
  • bleak
  • cold
Movie DNA

Heavy, steady, measured drama / thriller, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.

Our read · The Quiet (2005) reads as a heavy, steady, grounded drama · thriller · coming-of-age entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Quiet

Tonight, this looks like

What watching it is actually like.

You want a suburban thriller where silence hides rotten family secrets.

ends unsettlingit leaves you shakena slow buildgrips by minute 35attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upsexual violencenuditychild perildrug useanimal harm

Skip it tonightSkip if incest, teen abuse, or dead animals will haunt you after.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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