The Stoning of Soraya M.
- heavy
- extreme
- bleak
- cold
Heavy, steady, extreme drama, grounded in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →In 1986 Iran, Sahebjam, whose car breaks down in a remote village, enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose arranged marriage to an abusive tyrant ended in tragedy.
Our read · The Stoning of Soraya M. (2008) reads as a heavy, steady, grounded drama entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Stoning of Soraya M.
What watching it is actually like.
“You need unflinching moral outrage about injustice, not entertainment comfort.”
Skip it tonight — You want anything bearable after 10pm or cannot face ritual cruelty onscreen.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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