The Union: The Business Behind Getting High (2007) poster
2007 · comedy · documentary · political

The Union: The Business Behind Getting High

Directed by Brett Harvey1h 44m2007
ElsewhereIMDb8.28k
  • warm
  • gentle
Movie DNA

Warm, steady, gentle comedy / documentary, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

Filmmaker Adam Scorgie explores the illegal marijuana industry in British Columbia, revealing how the international business is most likely more profitable than it would be if it was lawful in this enlightening documentary. Marijuana growers, law enforcement officials, physicians, politicians, criminologists, economists and celebrities—including comedian Tommy Chong—shed light on this topical subject in a series of compelling interviews.

Our read · The Union: The Business Behind Getting High (2007) reads as a warm, steady, grounded comedy · documentary · political entry — gentle in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Union

Tonight, this looks like

What watching it is actually like.

You want a sharp documentary unpacking who profits from illegal cannabis.

ends ambiguousit stays with yousteady all the waygrips by minute 5attention 3/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-updrug use

Skip it tonightSkip if policy talk or on-screen drug culture kills your relaxed movie night.

If The Union is your film
Grass (1999)
witty cultural history of marijuana panic and prohibition
(unless archive-montage docs feel dated)
The Corporation (2003)
systemic greed and institutional lies told with muckraking clarity
(if talking-head economics bores you)
Bowling for Columbine (2002)
provocative policy documentary mixing outrage and dark humor
(unless Moore's polemical style grates)
DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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