Time Masters
- brisk
- surreal
Neutral, kinetic, measured sci-fi / animation, surreal in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →On planet Perdide, an attack of giant hornets leaves young Piel alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. Onboard Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad, who knows Perdide well. Thus begins an incredible race across space to save Piel.
Our read · Time Masters (1982) reads as a neutral, kinetic, surreal sci-fi · animation · french entry — measured in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Time Masters
What watching it is actually like.
“You want Moebius sci-fi animation, a stranded child, and a time-loop gut punch.”
Skip it tonight — Skip if dated French animation and a slow space-rescue pace lose you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself