Too Fat Too Furious
- kinetic
- funny
Neutral, breathless, measured drama / comedy, inventive in texture. Ambivalent, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Bennie, a clumsy criminal who's touchy about his weight, teams up with his adoptive father's biological (serial killer) son, his employees who in his absence turned his snack-bar into a quiche bakery, a suicidal manic-depressive woman and a Yugoslavian who keeps blowing things up unintended. They need to get 300000 Euro to get Bennies father a new liver.
Our read · Too Fat Too Furious (2005) reads as a neutral, breathless, inventive drama · comedy · crime entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Too Fat Too Furious
What watching it is actually like.
“You want over-the-top Dutch action comedy with a weight-obsessed crook and wild crew.”
Skip it tonight — Skip if subtitles or silly dark criminal capers with chases feel too broad.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself