Touch of Death
- heavy
- intense
- bleak
- cold
Heavy, steady, measured horror / cannibal, inventive in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →The financially strained and increasingly desperate, Lester Parsons concocts a brilliant get-rich-quick scheme; cruise the lonely hearts ads for rich women to fleece. Too bad then, that Lester’s also a psychotic cannibal who enjoys mutilating these lovelorn souls, via his trusty chainsaw, and using their flesh for his dinner. When a copycat killer threatens to bring him down, Lester must do all he can to prevent this new killer’s sloppy work from ruining them both.
Our read · Touch of Death (1988) reads as a heavy, steady, inventive horror · cannibal · black-comedy entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
More info & search links
The shape of Touch of Death
What watching it is actually like.
“You want short, extremely gory dark-comedy horror about a cannibal chainsaw killer targeting lonely women.”
Skip it tonight — You are at all sensitive to graphic dismemberment, cannibalism or extreme gore.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself