Piercing (2019) poster
2019 · horror · thriller

Piercing

Directed by Nicolas Pesce1h 22m2019
ElsewhereIMDb5.59kRT72%Metacritic63
  • heavy
  • intense
  • inventive
  • bleak
  • cold
  • intimate
Movie DNA

Heavy, steady, extreme horror / thriller, surreal in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.

How every film is hand-scored →

After kissing his wife and baby goodbye for a seemingly normal business trip, Reed checks himself into a hotel room to accomplish something he’s always dreamed of: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie.

Our read · Piercing (2019) reads as a heavy, steady, surreal horror · thriller entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Piercing

Tonight, this looks like

What watching it is actually like.

You want sterile motel psychosexual dread that keeps reversing power.

ends unsettlingit will wreck youbuilds to a gut-punch finalegrips by minute 5attention 5/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upnudityexplicit sexgraphic violencebody horror

Skip it tonightYou need sympathetic characters instead of ice-cold murder fantasy.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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